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How did realist fiction alter in the effort to craft forms and genres receptive to the dynamism of an expanding empire and globalizing world? Do these nineteenth-century variations on the "geopolitical aesthetic" continue to resonate today? Crossing literary criticism, political theory, and longue duree history, The Victorian Geopolitical Aesthetic explores these questions from the standpoint of mid-nineteenth-century novelists such as Wilkie Collins, George Eliot, Gustave Flaubert, and Anthony Trollope as well as successors including E. M. Forster and the creators of recent television serials. By looking at the category of "sovereignty" at multiple scales and in diverse formal, geographic, and historical contexts, Lauren M. E. Goodlad shows that the ideological crucible for "high" realism was not a hegemonic liberalism. It was, rather, a clash of modern liberal ideals struggling to distintricate themselves from a powerful conservative vision of empire while striving to negotiate the inequalities of power along lines of race, gender, nationality, and ethnicity which a supposedly universalistic liberalism had helped to generate.
The material occasion for the mid-Victorian era's rich realist experiments was, thus, the transition from an informal empire of trade that could be celebrated as "liberal" to a neo-feudal imperialism that only Tories could warmly embrace. In this way the book places realism's "geopolitical aesthetic" at the heart of recurring modern experiences of breached sovereignty, forgotten history, and subjective exile. The Coda, titled "The Way We Historicize Now", concludes the book with connections to recent debates about "surface reading", "distant reading" and the hermeneutics of suspicion.
- Sales Rank: #3168939 in Books
- Published on: 2015-03-29
- Original language: English
- Number of items: 1
- Dimensions: 6.40" h x 1.20" w x 9.30" l, 1.72 pounds
- Binding: Hardcover
- 320 pages
Review
"The Victorian Geopolitical Aesthetic is an important and exciting addition to our understanding of the global character and transnational contexts of nineteenth-century literature. Lauren M. E. Goodlad's new study traverses and integrates ongoing conversations on literary form, political theory and cultural analysis to show how nineteenth-century realism grappled with capitalist globalization." --Dickens Quarterly
"Lauren Goodlad's work shows how archives change when we think in terms of the global.... Goodlad also makes newly vital to the field texts that have been historically understudied or recently neglected.... Her brilliant analysis of the Mad Men episode 'The Wheel' [demonstrates] the show's surprising, revelatory investments in Victorian concerns and aesthetics.... Goodlad's work also demonstrates that one of the most valuable aspects of a geographically expansive conception of Victorian studies is the imperative for scholars to address themselves not only to the world outside Britain but to fields and disciplines outside our own." --Victorian Literature & Culture
"The Victorian Geopolitical Aesthetic brilliantly demonstrates that Victorian fiction articulated a sophisticated awareness of the world historical processes of capitalist expansion. With its masterful integration of social and political theory, Victorian politics, feminist theory, and ethics, this book will put Goodlad at the center of debates about Victorian realism, cultural politics, liberalism, and the relation between social theory and literary form." --John Kucich, co-editor of The Oxford History of the Novel in English, Volume 3: The Nineteenth-Century Novel 1820-1880
"The Victorian Geopolitical Aesthetic enriches our view of Victorian realism by challenging the notion that the British novel becomes a stagnant backwater, cut off from history. Those who concern themselves with closing the gap between literary structure and cultural analysis will want to read this lucid, cogent, and illuminating book." --Harry E. Shaw, author of Narrating Reality: Austen, Scott, Eliot
About the Author
Lauren M. E. Goodlad is the Kathryn Paul Professorial of English and Criticism & Interpretive Theory at the University of Illinois, Urbana. She is the author of Victorian Literature and the Victorian State: Character and Governance in a Liberal Society as well as the co-editor of several books and special issues including Mad Men, Mad World: Sex, Politics Style and the 1960s and The Ends of History, a special issue of Victorian Studies. Her articles have appeared in journals including American Literary History, ELH, MLQ, Novel: A Forum on Fiction and PMLA.
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