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Learn to “see” more compelling images with this on-the-go field guide from Bryan Peterson!�
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What makes an image amazing? Believe it or not, it is not about the content. What makes a photo compelling is the arrangement of that content—in other words, its composition. The right composition gives your images impact and emotion; the wrong one leaves them flat. In this handy, take-anywhere guide, renowned photographer, instructor, and bestselling author Bryan Peterson frees amateur photographers from the prejudices of what is “beautiful” or “ugly” so that they can instead focus on color, line, light, and pattern. Get the tools you need to show your distinct voice and point of view in every image you shoot. With this guide in your camera bag, you’ll be equipped not only to “see” beautiful images but to successfully shoot them each and every time.�
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Also available as an ebook
- Sales Rank: #141635 in Books
- Brand: Peterson, Bryan
- Published on: 2012-11-06
- Released on: 2012-11-06
- Original language: English
- Number of items: 1
- Dimensions: 8.73" h x .71" w x 5.77" l, 1.22 pounds
- Binding: Paperback
- 288 pages
About the Author
Bryan Peterson is a professional photographer, internationally known instructor, and the bestselling author of Understanding Exposure, 3rd Edition; Bryan Peterson’s Understanding Photography Field Guide; Understanding Flash Photography; Understanding Shutter Speed; Understanding Close-Up Photography; Learning to See Creatively; Understanding Digital Photography; and Beyond Portraiture. He is also the founder of the online photography school The Perfect Picture School of Photography (ppsop.com). Bryan lives in Chicago.
Most helpful customer reviews
35 of 39 people found the following review helpful.
A summation and blend of Peterson's previous books
By Yoda
This book can best be described as a summation and blend of many of Peterson's previous books. The author summarizes, in this book, what he has written in many of this previous books (i.e., on shutter speed under 1/125 of a second), exposure, "seeing creatively" and macrophotography/close-up photography. Due to the fact that this book is only a short length of the total pages of these books conglomerated, these topics are only touched upon in a succinct manner. Thus this book would be of greatest value to those readers who did not these other books. Another comment that needs to be made is that this book includes many photos making creative use of flashes but there is no discussion of flash technique (unlike his one book covering this topic in detail).
In short, this book would be of great value (with its inherent limitations due to its relatively short coverage of many topics) to readers new to Peterson but of only limited value to those who have read many of his previous books. What he covers in this book he covers in much more detail in his previous books.
15 of 15 people found the following review helpful.
Another great one from Bryan Peterson
By SMXSteve
I've gotten more out of Bryan's books than any other source and here he has another great one. While it may seem this is a repeat of his Bryan Peterson's Understanding Photography Field Guide: How to Shoot Great Photographs with Any Camera this book takes those ideas a step further into composition. Not only is this book full of Bryan's great colorful photos the layout is well designed, colorful, easy to follow and understand. And that's the Kindle version! If you are like me, constantly learning, this is another great one to step up your photography!
12 of 13 people found the following review helpful.
A must read.
By Zaragoza Munoz III
"...compelling photography is, first and foremost, not about the content! Compelling photography is about the arrangement of content."
--Bryan Peterson Bryan Peterson's Understanding Composition Field Guide: How to See and Photograph Images with Impact
When I read this I immediately thought of a recent photo* I had seen of a political candidate speaking to a teacher in a grade school classroom. By any standards this is a typical campaign photo op. Yet the photographer took it one step further. Off in the corner were two children making faces at each other not paying any attention to the adults. The photo was framed with one child on the left smile askew and another on the right rolling her eyes and sticking out her tongue. In between the two in the close distance was the hand shaking politician. What a fresh composition.
This is what Bryan Peterson helps us understand. I have read most of Bryan Peterson's books and have always come away with a fresh perspective and a renewed understanding of photography. Through his analysis and experience you can feel him radiate his joy and love of photography.
Regarding this book "Understanding Composition" Bryan gives the novice a field of view on "seeing" their image. He gives the enthusiast and hobbyist a fresh perspective and offers the advanced shooter a good read and new ideas. There is literally something for everyone. Whether you "see" new images differently or mine your old images for a fresh perspective Bryan will guide you along that path.
For anyone interested in photographic composition this book is a must read.
*Ruth Fremson/NY Times Slide Number 9 (Mayor Michael R. Bloomberg visited a first-grade class at PS 195 in Manhattan Beach, Brooklyn. [...]
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